Virgil Widrich
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Works:
All Exhibition Stage Film Research Lecture Jury Member Publication Bibliography checkpointmedia University of Applied Arts
“tx-reverse”, still, 2019
“tx-reverse”, still, 2019
“tx-reverse 360°” at the PanormaLab of the ZKM | Zentrum für Kunst und Medien Karlsruhe.
“tx-reverse 360°” at the PanormaLab of the ZKM | Zentrum für Kunst und Medien Karlsruhe.
Virgil Widrich, Martin Reinhart and Siegfried Friedrich at the PanormaLab of the ZKM | Center for Art and Media Karlsruhe for “tx-reverse 360°”, October 2018
Virgil Widrich, Martin Reinhart and Siegfried Friedrich at the PanormaLab of the ZKM | Center for Art and Media Karlsruhe for “tx-reverse 360°”, October 2018
“tx-reverse”, still, 2019
“tx-reverse”, still, 2019
“tx-reverse”, still, 2019
“tx-reverse”, still, 2019
Filming of “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Filming of “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Filming of “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Filming of “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Filming of “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Filming of “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Virgil Widrich and Martin Reinhart shooting “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Virgil Widrich and Martin Reinhart shooting “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Virgil Widrich and Martin Putz shooting “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Virgil Widrich and Martin Putz shooting “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Filming of “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Filming of “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Virgil Widrich and Martin Putz shooting “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Virgil Widrich and Martin Putz shooting “tx-reverse” at the Kino Babylon Berlin, July 12, 2018. Photo: Alexander Grennigloh
Poster for the installation “tx-reverse 360°” at the PanormaLab of the ZKM | Center for Art and Media Karlsruhe, October 2018
Poster for the installation “tx-reverse 360°” at the PanormaLab of the ZKM | Center for Art and Media Karlsruhe, October 2018
Poster for the short film “tx-reverse”, design: Virgil Widrich, January 2019
Poster for the short film “tx-reverse”, design: Virgil Widrich, January 2019

tx-reverse

A space time cut through cinema. 20 years after Martin Reinhart and Virgil Widrich used this film technique for the first time in a short film (“tx-transform”, 1998), they again deal with the question of which previously unseen world arises when space and time are interchanged, aptly in a cinema and at full 360°. Winner of 39 international film awards!

Year
2019
Type
Film · Research
Screenings
202
Awards
★ 39

A space time cut through cinema.

Austria/Germany 2018, short film, DCP, color, 1:2,39 / “tx-reverse 360°”: Austria/Germany 2019, installation in 360°, 10K
Length: 5 min.

Link to the trailer.

What is behind the cinema screen? It is not surprising that cinema-in-the-cinema scenes are often used in horror films. For they irritate and unsettle by reminding us – the immobile viewers hidden in the cosy darkness – of our own questionable position. What if the forces of unlimited imagination penetrate through the canvas into our reality? What if the auditorium dissolves and with it the familiar laws of cinema itself? In a way never before seen, “tx-reverse” shows this collision of reality and cinema and draws its viewers into a vortex in which the familiar order of space and time seems to be suspended.
Back in the 1990s, Martin Reinhart invented a film technique called “tx-transform”, which exchanges the time (t) and space axis (x) in a film. Normally, each individual film frame represents the entire space, but only a brief moment of time (1/24 second). In the case of tx-transformed films, however, the opposite is true: each film frame shows the entire time, but only a tiny part of the space – in cuts along the horizontal spatial axis, the left part of the image thus becomes the “before”, the right part the “after”.
20 years after Martin Reinhart and Virgil Widrich used this film technique for the first time in a short film (“tx-transform”, 1998), they again deal with the question of which previously unseen world arises when space and time are interchanged, aptly in a cinema and at full 360°: at the Babylon Kino in Berlin they filmed with the OmniCam-360 about 135 actors and calculated the installation “tx-reverse 360°” for the ZKM from this material.

Winner of 39 international film awards!

Events, worldwide.

223 events total